Nicolas Winding Refn
The Driver drives for hire. He has no other name, and no other life. When we first see him, he's the wheelman for a getaway car, who runs from police pursuit not only by using sheer speed and muscle, but by coolly exploiting the street terrain and outsmarting his pursuers. By day, he is a stunt driver for action movies. The two jobs represent no conflict for him: He drives.
As played by Ryan Gosling, he is in the tradition of two iconic heroes of the 1960s: Clint Eastwood's Man With No Name and Alain Delon in "Le Samourai." He has no family, no history and seemingly few emotions. Whatever happened to him drove any personality deep beneath the surface. He is an existential hero, I suppose, defined entirely by his behavior.
That would qualify him as the hero of a mindless action picture, all CGI and crashes and mayhem. "Drive" is more of an elegant exercise in style, and its emotions may be hidden but they run deep. Sometimes a movie will make a greater impact by not trying too hard. The enigma of the driver is surrounded by a rich gallery of supporting actors who are clear about their hopes and fears, and who have either reached an accommodation with the Driver, or not. Here is still another illustration of the old Hollywood noir principle that a movie lives its life not through its hero, but within its shadows.
- Roger Ebert
Best Supporting Actress
Best Male Lead
Best Supporting Male